Category: Sound Works


Annika Fuhrmann & Tom Lönnqvist

Annika Fuhrmann & Tom Lönnqvist

Wednesday, 8.5.2024 at 19:00 -free entry-

Annika Fuhrmann, ihmisääni & efektit / voice & effects

Tom Lönnqvist, modulaarisyntetisaattori / modular synthesizer

Annika Fuhrmann is a versatile singer, musician, and sound artist, who is most at home in the fields of experimental music theater, sound art, improvisation, and contemporary music. Annika has premiered several works composed for her and has performed in interdisciplinary projects with artists from various fields. At the moment, she is drawn to honesty, roughness, incompleteness, and vulnerability in music making instead of technical perfection. Annika is eager to experiment with new working methods and constantly seeks new ways to express herself. This has also led to collaboration with Tom Lönnqvist.

Tom Lönnqvist is a sound, space, and performance artist based in Helsinki. He holds a master’s degree in sound and has been part of several acclaimed dance and theater productions. Tom’s artistic work includes working with body, modular synthesis, video, installation, painting, drums, and ambisonic field recordings. Collaboration with Annika Fuhrmann has emerged from an interest in exploring the potential of modulating the human voice as part of instantaneous composition made with electronic modular synthesis.

The German electronic music label Mille Plateaux has released Annika’s and Tom’s debut performance Live at Asbestos Art Space.

https://tomlonnqvist.com, https://annikafuhrmann.com/

Two solos: PHILIP HOLM & MIIO HOLOPAINEN

Two solos:
PHILIP HOLM & MIIO HOLOPAINEN

Wednesday 17, 2024, 19:00-21:00
-free entry-
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Philip Holm: Tailor’s Fiddle and Qwerty Kantele
Philip Holm performs solo with string instruments built from a sewing machine and a typewriter. The music of the tailor’s fiddle and qwerty kantele sets in a landscape of meditative ambient drawing inspiration from folk music, sound art and noise.
Holm is a musician from Helsinki, who plays in bands such as Barlast, Oiro Pena and Buko Shane. In 2023, he released a solo album Trådlös, played on a tailor’s fiddle.
https://philipholm.fi/
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Miio Holopainen: Violins, Viola.
Miio Holopainen is interested in “failure” that can happen during bow turns and instruments that in their own ways fail as fiddles but have something special as individuals. Their music pays attention to small but significant changes, decay, details and slow ways of becoming another. Scarcity, coincidence, susurrus, fumbling, mundaneness, simplicity and dust are present.
https://soundcloud.com/miio-holopainen

Improvised Music: Kriton Beyer, Libero Mureddu & Lauri Hyvärinen and Livia Schweizer & Jukka Kääriäinen

Improvised Music:

Kriton Beyer, Libero Mureddu & Lauri Hyvärinen
and Livia Schweizer & Jukka Kääriäinen

Two sets of improvised music at Akusmata Gallery
1. set Livia Schweizer & Jukka Kääriäinen
2. set Kriton Beyer & Lauri Hyvärinen
Friday 15.12.2023, 19:00 – 21:00

Livia Schweizer (b.1994) is a flutist, improvisor, researcher and educator. Born and raised in Italy, she is now based in Helsinki. She is known for her interest in improvisation and non-conventional music notation as a tool of bringing together creative souls from different backgrounds and cultures.
After graduating from the conservatory of Livorno in Mauro Rossi’s class, attracted by the contemporary music scene in Finland, Livia moved to Helsinki to study at Sibelius Academy with Mikael Helasvuo. Since moving to Helsinki Livia had the possibility to take part in several contemporary music and interdisciplinary projects with the Nyky-ensemble, Korvat Auki, the UMUU-ensemble, Eloa ry, Tampering and has performed in festivals such as the Flow Festival, Helsingin Juhlaviikot, the UNM Festival, Tulkinnanvaraista, Luosto Soi, Hiljaisuus Festival, Jauna Muzika (Lituania), Soundscapesberlin (Germany), and Musica Nova.
Currently a member of the European Composer Improvisers Orchestra, she is also part of the Helsinki-based Septad Ensemble focused on the concept of composing music on the spot. In addition to that, she is a co-founder of the Earth Ears Ensemble mostly dedicated to performing new music written by lesser-known composers. More infos: www.liviaschweizer.com

Jukka Kääriäinen is a musician and sound artist based in Helsinki Finland. Jukka is specialized in the field of experimental music and arts and is an active performer in the Finnish scene of improvised and contemporary music. Jukka is a member of contemporary music ensemble Sähkökitarakvartetti. He has collaborated with musicians such as Teppo Hauta-Aho, Kalle Kalima, Harri Sjöström, Emilio Gordoa, Elena Kakaliagou, Rieko Okuda, Antti Virtaranta, Anil Eraslan, Mikko Innanen, Kriton Beyer and Roomet Jakapi and premiered pieces by composers such as Sebastian Hilli, Riikka Talvitie, Sami Klemola, Clara de Asis and Tytti Arola.

Kriton Beyer is a Greek-German musician and composer, who – as a performer and improviser – mainly works with the harmonium and the daxophone. He studied musicology in Greece where he collaborated with a variety of local music groups as well as musicians like Sakis Papadimitriou and Floros Floridis. In 2004 he moved to Berlin, where he got heavily involved in the improvised music scene of the city. Since then he has worked with many musicians like Phil Minton, Audrey Chen, Steve Noble, Fred Lonberg-Holm, Axel Dörner, Liz Kosack, Kresten Osgood, Tristan Honsinger, Tomomi Adachi, Richard Scott, Willi Kellers, Matthias Bauer, Antonis Anissegos, Olaf Rupp, Alexei Borisov, Els Vandeweyer, Harri Sjöström, Nicola Hein and Liz Allbee, dancers like Yuko Kaseki and visual artists like Akiko Nakayama. Kriton Beyer founded the “FRAGMENTATION ORCHESTRA“, is a member of the electroacoustic trio “uproot” and the ensembles “Redox Reaction” and FDBK EXPT. In his work with the harmonium, Kriton Beyer uses both the natural sound of his instrument and “traditional” playing techniques as well as preparations, objects and extended techniques, while his daxophone play is characterized by a very personal musical and sonic aesthetic, and an unconventional technique, sometimes also supported by the subtle use of electronics. As an improvising musician, he has performed throughout Europe. His compositions are usually characterized by conceptualism. Kriton Beyer has also conceived and commissioned the music software CinePrompt®, which was specially developed for the use for live musical performance and live recording to films. Kriton Beyer also curates and manages the concert series and record label “THE PROCRUSTEAN BED”, dedicated to Experimental & Improvised Music.

Libero Mureddu, born in Milan in 1975 and based in Helsinki since 2003, he has studied composition at the Conservatory “G. Verdi” of Milan and music technology at the Centre for Music and Technology, Sibelius Academy, University of the Arts Helsinki. He is currently doing his artistic doctorate at the MuTri Doctoral School at the Sibelius Academy. In his research, Libero Mureddu investigates the role of embodied knowledge in a free improvisation performance, and how this knowledge can be observed, analysed, and used to develop free improvisation languages. Libero Mureddu’s doctorate is generously supported by the Kone Foundation. Since 2009 Libero Mureddu is the general manager of the NYKY Ensemble, the contemporary music ensemble of the Sibelius Academy. The NYKY Ensemble is nowadays considered as an important member of the Finnish contemporary music scene. Active as a teacher, he teaches free and electroacoustic improvisation at the Sibelius Academy. Libero Mureddu is the Sibelius Academy’s representative of the METRIC (Modernising European Higher Music Education through Improvisation) project, a cooperative forum between several European conservatoires that focuses on curriculum development and cooperation in the field of improvisation in higher music education.

Lauri Hyvärinen (b. 1986, Helsinki) uses guitar as his main sound source. His sound and music related activities are of theoretical and practical nature, of which improvisation remains as his primary medium and interest. Hyvärinen utilises the possibilities of improvisation with minimalist structures in search for shared and intensified social and spatial constructions. His discography includes several solo and collaborative releases on labels in Japan, Europe and US, including ftarri, AKTI and Dinzu Artefacts. His latest solo release Cut Contexts, a series of multilocational and processual electroacoustic compositions was released in November 2021 by Intonema. He has toured and performed extensively across Europe, Japan and the US at venues and festivals such as Wien Modern, Cafe Oto, Fort Process, Rhizome, Fylkingen, Le Non Jazz, Mengi and Musica Nova, collaborating with artists such as Seijiro Murayama, Taku Sugimoto, Angharad Davies, Clara de Asís, Daichi Yoshikawa, Jone Takamäki and Ilia Belorukov. As part of Sähkökitarakvartetti, he has premiered music from composers such as Clara de Asís, Kalle Kalima, Sami Klemola, Meriheini Luoto, Laura Naukkarinen (Lau Nau) and Riikka Talvitie.

LIVE: Xenia Ramm – The Silence of Sea Tower

Xenia Ramm
The Silence of Sea Tower / Release #2

Wednesday 11.10.2023 at 18-20.


There is a tower by the sea. An artist is in a pocket of the tower, works, lives in the tower, is still in the tower. The tower speaks, the artist listens. In the night, when the tower is silent, the artist sings and the tower listens. In the night, when the tower is silent, the artist can hear the sea in her pocket.

The Silence of Sea Tower is an auto fictional, site-specific sound art piece, painting a sonic portrait of a building and the liminal aural space between its inhabitants.
9 months of recordings, of the noisy silence in the artist’s studio, is released as soundscape on cassette tape. The work situates itself between ambient noise music, field recording and conceptual spatial art, curating an experience of a place and allowing that place to travel.

The Silence of Sea Tower is performed as the concert iteration Narrative Noise, incorporating elements of storytelling and opening hidden, anthropomorphic aspects of the work.
The composition is deconstructed and reconstructed live, every performance presenting a unique version of the piece.
The concert is played by an orchestra of analogue tape players, each adding their own mechanical sounds and characteristics to the mix.

This event is the second release party for The Silence of Sea Tower, self-released by Xenia Ramm / Merry Thorny Productions.
The tape can be purchased at the event.



Upcoming cassette performances:
22.9.23 / Levoton Tutkimus / Uniarts Fest -taidefestivaali, Taideyliopiston Kuvataideakatemia HKI
11.10.23 / The Silence of Sea Tower / Release #2 / Akusmata HKI
October / The Silence of Sea Tower / TBA CPH

Kenneth Kovasin: DIY – Do It Yourself

Kenneth Kovasin
DIY – Do It Yourself

2. 5.8.2023, 14:00-18:00 (daily)

CLOSING CONCERT: 5.8.2023, 18:00: BRYSKT (after the exhibition closes)



During the COVID pandemic I started a harsh noise project “BRYSKT” that focused on a number of aspects: my passion for building instruments, my bi-lingual Fenno-Swedish legacy and harsh violent music. What started as a therapy project has become a massive part of what I do. “DIY – Do It Yourself” is a testament to 3 years of finding my voice as a harsh noise musician, through replication and creation of tools of the trade based on pictures and ideas which I found online.
The spark for the instruments constructed for this project has been ignited by products found in hardware- and hobby-stores in addition to developing ideas which were inspired by other people. All the parts are commercially available including basic microphones, and instrument and effects pedal components. Everyday objects can be easily combined into weird tools of sonic mayhem.
In the exhibition “DIY – Do It Yourself” you will have the possibility of trying out an array of different self-made instruments and filling the room with a soundscape interactively conjured up with these tools. All instrument sounds will be processed in an effects chain which is similar to the one which I use to create the noise frequencies for “BRYSKT”.

Kenneth Kovasin is a Fenno-Swedish sound artist and experimental musician from Helsinki, Finland. His works are created with self-built instruments and are often minimalistic.
Kenneth has toured at festivals in the United States, Sweden and Estonia with his project [ówt krì] and has performed many concerts in Finland.
Kenneth’s first sound installation “Urban Evolution” was on display during the (con)temporary festival organized by LéSPACE in Helsinki between September 18th and October 3rd, 2015.
“From Bow to Stem – A Daxophone study” was exhibited at Akusmata in Helsinki between August 3rd to 7th 2020. For the festival “Porvoon Lights” in 2023 Kenneth collaborated with light artist Janne Parviainen on his creation “Vapautuminen”, providing an accompanying soundscape with the track “Flight to Kailash”.
When not performing music Kenneth also produces concerts in cooperation with the Akusmata Sound Gallery. He is also one of the founding members of Frekvenssi, a collective promoting audial art in Finland.

Diane Barbé, Irwin Barbé & Pablo Diserens (DE/FR): in-animate matter (LIVE)

Diane Barbé, Irwin Barbé & Pablo Diserens
in-animate matter (LIVE)


Friday 16.6.2023 at 19:00.
– Voluntary entry fee –


field recordings, wind instruments, analogical synthesis, ecology, music


in-animate matter
Diane Barbé, Irwin Barbé & Pablo Diserens present in-animate matter, an experimental research project that brings together field recording, wind instruments and analogical synthesis in a practice of soundscape representation and imitation. During a two-week residency at the biological research station of Kilpisjärvi in the Arctic, the three artists investigated the symbiotic linkages between biophonic and geophonic entities in the fells, and will present a series of sound vignettes encountered on their journey.in-animate matter is funded by Berlin Senate Department for Culture and Community and by the European Union.

Diane Barbé

Weaving together experimental music, biophonic research and activism, Diane Barbé (she/they) explores human and non-human worlds through sound. Based in Berlin since 2015, she operates at the intersection of ecology and music, working with field recording as much as with synthesis and acoustic instruments. Her debut album of cinema-without-images, “a conference of critters”, was released on the Berlin phonography label forms of minutiae in October 2022. She is currently creating an ensemble of wind instruments, percussions, bird calls and little sound devices, called The Alien Kin, used to explore the playful and ineffable spaces of interspecies communication and nonhuman languages.
latest release: a conference of critters, 2022

Irwin Barbé

Irwin Barbé (he/him) explores the border areas between abstraction, fiction and documentary through musical and visual practices. His work weaves links between heterogeneous worlds : acousmatic music and biomimicry, psychedelism and astronomical research, sensory illusions and urban planning, fractal geometry and mass consumption. These non-dualistic explorations have been presented in various forms over the last years : exhibitions, live performances, books, albums…
latest release: azurescens, 2022

Pablo Diserens
Pablo Diserens (she/they) is a field recordist, musician and artist devoted to non-human realities, attentive listening and possible forms of coexistence between species. Through an ecologically engaged multidisciplinary creative practice, she investigate diverse biomes and acoustic events using acoustic and visual recording techniques. Her work mixes sound, music, images and text to emphasize deep listening and connection. Here, acoustic ecology, photographic and electroacoustic forms bring to the fore the biological and geological properties of the environments explored. In solidarity with a wounded planet, Diserens’ practice invites people to attune to the present in an attempt at rethinking caring strategies and our relationship with the world and its biotic communities.
instagram @pablodiserens
latest release: upstream ensemble, 2023

​Karri Kokko: Open Studio — Avoimet ovet

Karri Kokko: Open Studio — Avoimet ovet

4.-9.10.2022

–THE EVENT HAS BEEN CANCELLED–


Poet Karri Kokko, who specializes in visual and conceptual poetry, moves his desk to the gallery for a week and invites his friends, colleagues and the public to participate in poetic work. The program also includes surprise visits, music performances, live streamed performances from home and abroad.


Karri Kokko is a Finnish poet specializing in asemic writing and visual poetry. He’s the author of more than thirty books, his first collection of poetry, Uno Boy, was published in 1982. Karri’s work can be found at Lettttere (lettttere.tumblr.com), Nokturno (nokturno.fi/authtor/karri-kokko), Instagram  (instagram.com/karri_kokko) and Soundcloud (souncloud.com/karrikokko). He lives and works in Helsinki.

Governing Bodies mini-festival: Emergence & Microbes

Governing Bodies mini-festival: Emergence & Microbes

Saturday, June 4, 2022 at 16.00 – 21.00

-free entry-


Welcome to join the international research group Governing Bodies for an evening of sounds and performances at Akusmata Saturday June 4, 2022. We start at 16.00 and will finish around 21.00. Feel free to drop in at any time.

FREDDIE ROSS (art historian): ethics of microbes, lecture performance
TINA MARIANE KROGH MADSEN: performance
JEAN-LOUIS HUHTA: performance
Till TILL BOVERMANN: performance

Photo by Till Bovermann


Governing Bodies is a group of artists, musicians and researchers who have met, discussed, cooked, eaten and made interdisciplinary art events about microbes since 2018. In June 2022 the group will travel to Helsinki where they will share their knowledge, experience and also learn from and with you.

In Finland special focus will given to microbes and emergence. Nature is filled with examples of how complex behaviours arise from relatively simple elements: we see this in how ants behave, or in how fish shoals or bird flocks interact. The term emergence is used to describe these fascinating manifestations of self-organisation that can, at first glance, seem inexplicable. Where does the extra injection of complexity suddenly come from? One thing is clear: these emergent phenomena can only be understood as collective behaviours — there is no way to make sense of them without looking at dozens, hundreds, thousands or more of the contributing elements. These wholes are indeed greater than the sums of their parts.


Festival program (1.-5.6.2022)

Wednesday, 1.6. evening
Listening in — diving into an ocean of emergent behaviour.
* 19.00 performance / deep listening at SOLU
* 20.00 EEG-synth experience / meditative one-on-one sessions (2-3 EEG synth sessions) – separate room at SOLU.
* 21.00 Food at SOLU

Thursday, 2.6.
Emergence is surrounding us — examples of emergence on macroscopic and microscopic levels and how they influence us and our life world.
* 10.00 breakfast at SOLU
* 11.00 Introduction to Emergence at SOLU
* 12.00 Kurt Johannssen (ABOUT TIME, CLUMPING AND THE COMPLEX) at SOLU
* 13.00 Lunch
* 16.00 Riina Hannula, Microbial Medi(t)ation (Yoga for Microbes, group exercise) at SOLU (or outside, weather permitting) Please bring/wear comfortable long-sleeved clothing, at SOLU
* 17:30 Bart van den Put: Retinalalian Group Hum_1 — breathing-sounding the retinal code, at SOLU
* 18.30 Annette Arlander “Letter to a Dead Spruce” video screening at SOLU
* 21.00 Dinner

Friday, 3.6.
On microbes and macrobes — scales of observation, behavioural patterns, and inter-system similarities.
* 10.00 breakfast at SOLU
* 10.30 Discussion about emergence with neuroscientist Veikko Jousmäki at SOLU
* 11.30 Till Bovermann Performative walk – City as Organism. (Departure from Solu.)
* 13.00 Lunch on the way
* 14.00-16.00 Sauna, Furuvik Rantasauna
* 19.00 Book release “Governing Bodies” at SOLU
* 19.30 The Experiences of Art as We don’t Know It and Governing Bodies. A round table discussion about creating books with trans-disciplinary content with the Freddie Ross, editor of Governing Bodies and representatives from Bioart Society. Moderated by MaiBritt Giacobini Arnér.
* 21.00 Dinner
* 22.00 Carima Neusser, Performance at SOLU

Saturday, 4.6.
Politics of emergence — layers of consciousness, layers of interpretation.
* 10.00 breakfast at SOLU
* 11.30 Carola Uehlken– walking through city, landscape, building? (Departure from SOLU) Please bring your own headphones and smartphone.
* 13.00 Lunch
* 16.00 Evening at Akusmata
– Freddie Ross – ethics of microbes – lecture performance
Tina Mariane Krogh Madsen – performance
Jean-Louis Huhta and Till Bovermann – performance
* 21.00 Individual dinner

Sunday, 5.6
Beyond emergence? — dispersion and re-formation.
* 11.00 breakfast at SOLU
* 12.00 Summary and departure

[The SOLU Space can be found at Luotsikatu 13, 00160 Helsinki, More info here.]


Governing Bodies is supported by The Nordic Culture Fund in Copenhagen Längmanska kulturfonden, Nordic Culture Point in Helsinki as well as Kulturfonden för Sverige och Finland.


AKUSMATA POLYPHONIC 2022

AKUSMATA POLYPHONIC 2022

Venue: Vuotalo Cultural Centre, Helsinki

13.–14.5.2022


AKUSMATA POLYPHONIC is an intensive sound art and electronic music event at Vuotalo Cultural Centre in Helsinki. Invited musicians, composers and sound artists are from Nordic countries, Germany and Finland, offering for the audience a wide spectrum of new sonic expression from the fields of experimental electronic music, sound art, noise and ambient. The program includes modular sound systems, do-it-yourself musical instruments, and improvised music with attitude.



Akusmata Polyphonic 2022 (images by Fredrik Willberg)


CONCERTS I – II – III

Friday 13.5.2022 at 18:30

Place: Vuosali (Vuotalo), Mosaiikkitori 2, Helsinki

-free entry-

Performers:

STATIC TELLER (Den)

(Jørgen Teller w/ Jimi Tenor)

STEPPING STONES (Swe / Fin)

(Compositions by Ann Rosén, Sten-Olof Hellström, Petri Kuljuntausta)

POLYPHONIC TONCHESTRA (Fin/Swe/Isl/Den/Ger)

(K. Bévand, E. Kalman, K. Kovasin, Pál Ivan, J. Pedersen, J. Teller)


CONCERTS IV – V – VI

Saturday 14.5.2022 at 18:00

Place: Vuosali (Vuotalo), Mosaiikkitori 2, Helsinki

-free entry-

Performers:

EGIL KALMAN (Swe)

STÓRMKRÓKUR (Isl)

(Jesper Pedersen and Páll Ivan frá Eiðum)

KATHARINA BÉVAND (Ger)


Supported by Nordisk Kulturfond / Puls, Nordic-Baltic Mobility Programme, Swedish-Finnish Cultural Foundation, and Vuotalo Cultural Centre.


Venue

Vuotalo Cultural Centre

Mosaiikkitori 2, 00980 Helsinki

http://www.vuotalo.fi/en/about-us

Akusmata (producer)

galleria.akusmata@gmail.com

akusmata.com

Tukholmankatu 7 K, 00270 Helsinki


ARTISTS

STATIC TELLER (Den)

Call it minimal rock goes synth’n’poetry! 

STATIC TELLER is Jørgen Teller’s new solo project, but at the Akusmata Polyphonic Festival it expands into a duo as Jimi Tenor joins in. Teller has a long career as electric guitarist, electronic musician, vocalist and since 1990s he has released many records as solo artist and with Jørgen Teller & The Empty Stairs. Teller has co-labed / performed with many Danish and international musicians like Rhys Chatham, Otomo Yoshihide, Kasper Toeplitz, Jimi Tenor, Kim Cascone, Fast Forward, Jakob Draminsky, David (Pere Ubu) Thomas & foreigners, Coal Hook (w Ron Schneiderman (Sunburned)), Jean-Francois Pauvros, Sofia Härdig, Lazara Rosell Albear, Bruno Ferro Xavier da Silva… At Vuotalo’s concert, STATIC TELLER’s performance will be complemented by video projection. http://www.jorgenteller.dk/STATICTELLER.html

STEPPING STONES (Swe/Fin)

“… a magical experience, (it) breaks all barriers, it’s venturing, it’s experimental and when you open your ears, it is very appealing”, said an enthusiastic critic about a concert of The Barrier Orchestra. Three members of the orchestra, artist Ann Rosén and composers Sten-Olof Hellström and Petri Kuljuntausta, continue their collaboration by launching a new group project. STEPPING STONES is a trio which works as test lab for the musicians focusing on the new interfaces and ways of producing sound in unconventional ways. In the new work series, they combine vivid sound elements and textures into a multi-layered and vibrant whole in an elastic small group format. ANN ROSÉN’s works have been performed at the Swedish Royal Opera, Moderna Museet, and South Bank in London. In the Drawing Sessions by Rosén, she performs with the pencil as her instrument, live electronic music emerge when graphite fuses with paper. STEN-OLOF HELLSTRÖM obtained a PhD in composition at University of Huddersfield, UK. His albums Sine Cera (w/ Bowers) and Kept in the Dark (Agaig) were nominated for best experimental album at the Manifest Awards. PETRI KULJUNTAUSTA divides his time between composing, performing, building sound and media installations, and researching. In recent years, he has done underwater concerts and installations and given concerts with birds.

POLYPHONIC TONCHESTRA

Modular, electronic, analog, improvisation, digital, interactivity, composition, graphic, drone, ambient, do-it-yourself, experimental, synthesizers, electroacoustic, electric guitar, silence, rock, modulation, noise, live processing, feedback… This multinational orchestra offers sound adventures that cannot be known in advance. The orchestra plays on the edge of time and space, its musicians react to what they hear, go further and the performance develops in a direction that cannot be predicted. The journey into the unknown goes through situations where the presence of harmony and chaos is transformed into a musical play in the hands of musicians, where logic and illogicality lose their meaning. Dropping a pebble in water produces essentially the same rippling sound effect as colliding super-black holes a billion light years away in time and space. It partially suggests the elemental power of sound, linked as it is to movement, a signal of life, dynamism and creation. That is what POLYPHONIC TONCHESTRA is all about. At this concert the line-up is K. Bévand, E. Kalman, K. Kovasin, Pál Ivan, J. Pedersen, and J. Teller.

EGIL KALMAN (Swe)

Egil Kalman is a Swedish musician / composer primarily playing modular synthesizer and double bass. His music aims to dissolve the brittle barriers separating traditional Scandinavian folk and contemporary electroacoustic music via minimalist compositional techniques and soulful improvisations. Utilizing just intonation tunings, hypnotic forms, synthesized sound mimicking the acoustic and vice versa, his music explores qualities intrinsic to traditional Scandinavian folk music in ways where the musical foundation is felt rather than explicitly heard. Kalman’s new album ‘Kingdom of Bells – Egil Kalman plays the Synthi 100’ will be realeased in May 2022 on iDeal Recordings: “Mind altering just tuned drones with melodies that echoes traditional Scandinavian folk music flow into abstract soundscapes reminiscent of early electronic music pioneers, but still holds a fresh sound and vibe. Deep synth music from the North!” http://egilkalman.com/

STÓRMKRÓKUR (Isl)

STÓRMKRÓKUR is an electronic duo founded by composers Jesper Pedersen and Páll Ivan frá Eiðum. The music of STÓRMKRÓKUR is seeking new inspiration in techniques used by noise musicians of yesteryear using non-linear feedback through analog sound equipment like mixing desks, stomp boxes and modular synthesizers. The sound world is raw and abstract sounding but with clear dialogues emerging between the sounds walking the fine line between chaos and order. Composer and sound artist Pedersen has written music for acoustic instruments and the electronic medium both, as an electronic musician and improviser he works with diverse groups ranging from contemporary, experimental and improvised music to ambient and drone. Páll Ivan is a multi-instrumentalist and visual artist, he has collaborated in many diverse projects and appears on recordings with baroque music over pop to metal and contemporary experimental music. <https://jesperpedersen.bandcamp.com>, <https://www.pallivan.is>

KATHARINA BÉVAND (Ger)

Katharina Bévand is a sound artist based in Berlin. She performs on modular synthesizers and creates site-specific sound installations and sound sculptures. Bévand works with processed field recordings, extended recording techniques and the resonance of spaces and objects. She exhibited internationally in Germany, Egypt, Taiwan, and in the Autonomous Region of Kurdistan in Northern Iraq. In 2021 she received a research grant from the Berlin Senate and a GVL Stipend for music production, and was part of Goldrausch Project for women artists. She has been a directive board member of the Berlin Association for New Music, BGNM e.V. https://katharinabevand.com/


Performance Protocols Nordic Sessions #3: Soundings

Performance Protocols

Nordic Sessions #3: Soundings

Sound Performances by Ana Gutieszca, Petri Kuljuntausta, Tero Nauha, Eva Sjuve, Timo Viialainen.

September 22-23, 2021 at 18:00 – 21:00.

-Free Entry-

Curated by Tina Mariane Krogh Madsen.


Wednesday 22.9 at 18:00-21:00: Performance night I (SOLD OUT!)

EVA SJUVE (activated score): Krispr (Spatialized)

TERO NAUHA: TBA (a work for prepared theremin)

TIMO VIIALAINEN: What did you do as a child when the thunder cut the power?


Thursday 23.9 at 18:00-21:00: Performance night II (*reservation required, see info below).

EVA SJUVE (activated score): Krispr (Spatialized)

ANA GUTIESZCA: Insecta

PETRI KULJUNTAUSTA: Sonification of an Organic Growth


REGISTRATION INFO

— To Book Access to the Show: Send us your name, contact information and the event date you want to attend: info@performance-protocols.net.

Please note, your reservation is not confirmed until you have received a confirmation email back from us! If you have reserved a spot for a performance and can not come, please notify us so we can give the spot to next one on our waiting list!

— Please only come to the events if you are feeling healthy and don’t have any flu symptoms. Please wear a face mask in all indoor areas.



Performance Protocols Nordic Sessions # 3: Soundings

The first part of performance protocols Nordic Sessions # 3 will be held in Helsinki from September 18.-27. 2021. The topic for this edition is soundings in performance and includes different ways to use sound as a tool, material, and theme, spanning from music compositions to performance art exploring a conceptual use of sound. This frames both amplified and non-amplified sound, performances in public space, and active listening exercises. The events will take place in the art spaces Third Space (exhibition and performance sessions) and Akusmata (performance program), and outside in public space – a park and a mall.

On September 22 and 23 in Akusmata will be sound performances performed by the artists Ana Gutieszca (MX/FI), Petri Kuljuntausta (FI), Tero Nauha (FI), and Timo Viialainen (FI). Additionally, each event will begin with the activation of a score created by artist Eva Sjuve. All of the performed works evolve around different means of soundings, from animal sounds, thunder, self-containing systems, and crisp bread. Their scores (or an iteration thereof) will be shown in the performance protocols score exhibition held in Third Space, which contains all participating artists in the Helsinki events (full list of artist can be found in the program below and online). The exhibition opens on September 18. and closes on September 27.

The full program with times, locations, and work descriptions can be found on the performance protocols website: http://performance-protocols.net/Helsinki2021/Helsinki.html


About Performance Protocols

Performance Protocols is a nomadic platform for instruction-based performance art and collaborative practices which opened its first online exhibition Walking Protocols I (INT) in June 2019. In February 2020, came the first in a series of Nordic Sessions, where bureaucratic protocols were presented and performed in Aalborg (DK). In May 2021, Walking Protocols II took place in Copenhagen (DK). After the Helsinki edition, future performance protocols Nordic Sessions will take place in Bergen (NO) in May 2022. performance protocols is founded, organized and curated by artist and researcher Tina Mariane Krogh Madsen (DK).

Performance Protocols Nordic Sessions is supported by the Nordic Culture Point, Nordic Council of Ministers, and Nordic Culture Fund (Opstart).

http://performance-protocols.net/
https://www.facebook.com/performanceprotocols


FULL PROGRAM

18.09 at 12:00-15:00 in Third Space: Opening of score exhibition

Opening of the score exhibition  performance protocols Nordic Sessions # 3: Soundings with works by Ana Gutieszca (MX/FI); Jenna Jauhiainen (FI); Essi Kausalainen (FI); Petri Kuljuntausta (FI); Tero Nauha (FI); Eva Sjuve (SE); Malte Steiner (DK/DE); Timo Viialainen (FI); Tina Mariane Krogh Madsen/Eero Yli-Vakkuri (DK/FI). Due to Covid19 there can only be few people present in the space simultaneously (waiting time can occur).

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18.09 at 15:00 – collective walk to Essi Kausalainen Cosmos Garden

After the opening we move from Third Space to Essi Kausalainen’s performance Cosmos Garden in Tähtitorninmäki park (lead by the artist).

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19.-21.09 & 25.-27.09 at 14:00-18:00 (and by appointment) in Third Space: Score exhibition

Score exhibition performance protocols Nordic Sessions # 3: Soundings (info above).

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19.-21.09 & 25.-27.09 in Third Space: Jenna Jauhiainen Trigger Happy (registration required, see info)

Jenna Jauhiainen, Trigger Happy performance sessions (appointments between 18:00-20:00).

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22.09 at 18:00-21:00 in Akusmata: Performance night I (registration required, see info)

Eva Sjuve (activated score): Krispr (Spatialized)

Tero Nauha: tba (work for prepared theremin)

Timo Viialainen: What did you do as a child when the thunder cut the power?

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23.09 at 18:00-21:00 in Akusmata: Performance night II (registration required, see info below).

Eva Sjuve (activated score): Krispr (Spatialized)

Ana Gutieszca: Insecta

Petri Kuljuntausta: Sonification of an Organic Growth

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24.09 at 10:00 in Tripla, Pasila: Madsen/Yli-Vakkuri Safety as Ambience

Tina Mariane Krogh Madsen/Eero Yli-Vakkuri, Safety as Ambience, a collaborative performance in public space with a meeting point outside the Tripla Mall/Pasila Railway St. (right hand side).

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24.09 at 17:00-19:00 in Third Space: Madsen/Yli-Vakkuri Safety as Ambience informal listening session

Madsen/Yli-Vakkuri will host an informal listening session with the results of the Safety as Ambience performance, now replayed in Third Space, making new connection points. You can drop in and out anytime during the session (due to Covid19 there can only be a few people present in the space simultaneously)