Category: Audiovisual


Lasse-Marc Riek & Verena Freyschmidt: Schattenpfade Helsinki

Lasse-Marc Riek & Verena Freyschmidt
Schattenpfade Helsinki

An audio-visual installation

Multichannel sounds, Paper Art, Light

Open: 3.-6.4.2018

Opening Hours: 14-18, Tue-Fri

The concert of Lasse-Marc Riek on Friday 6.4. at 18:30.



Schattenpfade Helsinki
An audio-visual installation by Verena Freyschmidt and Lasse-Marc Riek.

The walk-in installation piece “Schattenpfade” by Verena Freyschmidt and a multichannel sound-composition by Lasse-Marc Riek. The cut-out traces abstract forms and structures are emphasized in their interplay with light. Emanating from multiple locations in the space, the composition of natural and artificial sounds completes the cut-out and lets emerge in an enticing atmosphere of sound, light, and shadow.
This work is designed and composed for the Akusmata.

As part of the exhibition, there will be a Gruenrekorder stand with recordings from the publication catalog.

Lasse-Marc Riek

Lasse-Marc Riek (1975, Germany) uses different forms of expression in his production methods. His works are interdisciplinary and can be conceived as groups of works of both visual art (action and conceptual art) and sound art. His art of sound can be described in terms such as acoustic ecology, bio acoustics and soundscapes.

Here, Riek uses field recordings, storing them with different recording media, editing, archiving, and presenting them in different contexts.

Since 1997, he has operated internationally with exhibitions, releases, concerts, lectures, workshops, awards, and projects and given performances in galleries, art museums, churches, and universities. He has made contributions in the public media as well as in public radio and received scholarships and artist-in-residence programs realized in Europe and Africa.

Riek is the owner of Gruenrekorder label, which is specialised on soundscape music and sound art.


Verena Freyschmidt
Verena Freyschmidt (1975, Frankfurt Germany) studied history and art education in Gießen from 1996 to 2000. Until 2002 he studied at the Academy of Fine Arts Mainz and from 2002 to 2006 at the Kunstakademie Düsseldorf. Since the end of 2015 she has been teaching at the Alanus University for Art and Society in Alfter near Bonn. She lives and works in Dusseldorf.

“In my work, the organic structures in nature are important,” says Freyschmidt, “lines and natural spaces, actually inner landscapes.” And: “It also has something to do with research, the microcosm and the macrocosm.” She is interested in “the fractal geometry of nature”, but also works with directed coincidence.

Freyschmidts materials are mainly the paper, the pen and the scissors. According to Katja Ebert-Krüdener, she takes lines, structures and formations from what she has seen and remembered, and puts them into new contexts. This results in large-format paper cuts, as well as free artistic creations and nature’s impressions. Like organic processes, fractal structures are increasingly conquering space.”

VOIX – A Group Exhibition

VOIX

Variety of sounds and ties to realities

A Group Exhibition

Date: 26.2. – 9.3.

Opening time:  Mon – Fri, klo 14-18.

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The University of Lapland brings to Helsinki a VOIX sound exhibition with nine artists. In the works will be examined the own space, environment, mass tourism, world conflicts, musical dimensions and independence. Artists come from Finland and China.

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Artists:

Dao (CN)
Kari Hautanen
Pekka Kumpulainen
Heidi Kenttälä
Dawei Li (CN)
Roope Mäenpää
Markku Riipi
Jari Rinne
Heikki Timonen

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DAO: EMPTY JOY

[Empty Joy] is a sound acquisition project that started in June 2017. It takes about 2 months to collect the national traditional music, Shaman’s sacrificial music, sound of nature and atmosphere in southwest China, Laos, Vietnam and Thailand. The movie [Empty Joy VOL1/Nothing], as a part of sound art project [Empty Joy], takes the concept of sound movie, is the Dao’s extension and experiment in his work. The sound acquisition project collects various sound, including the sacrificial music from Miao(a minority in Asia) in Vietnam, the Jinuo traditional songs, noise from flea markets in Dali(a major city in Yunnan), the sound of Buddhists’ chanting and bell ringing in Polo Temple in mountains, the sound when people practicing White Crane boxing, the sound comes from hundreds of bats in deserted temple in Vietnam and the sound recorded from Dao’s improvisation with local musicians in a reggae bar on Khao San Road in Thailand. At the same time, he inserts the clues of his experience in the movie, which are three sections of Dao performing saxophone and cello in the street. Dao uses the materials as veins of the sound movie and his story, playing a non-vison, auditory stimulation based movie.

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DAWEI  LI: 1200 SECONDS OF SUNSHINE IN BERLIN

Some images do not need to be processed or modified, just recording real pictures. The secret is the image itself, and it shows some sights to you, just like a mirror. The experimental image of 1,200 seconds of sunlight in Berlin is a coincidence. When first coming to Berlin, I was impressed by its unsettled weather that sun and rain often appeared in one day. I often saw that amounts of clouds fluttered with the wind in a fine weather, sunshine constantly appearing among the clouds. This scenery is very common in Berlin, but it can show different conditions under different substances. In a morning, I got up, seeing the sunlight filtering through the curtain into my interim studio in Berlin, where the shadows and the sunlight were interlaced with the moving clouds. I didn’t open the curtain to see the flowing clouds and sunny sky, while picturing this beautiful moment. MI Lin and I quickly move out the window workbench, starting to record this scenery. Also, some words from us and some voice of cough were included, I didn’t delete these because they were also necessary parts in the image.

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KARI HAUTANEN: UMBRELLA

A downward umbrella is hanging from the ceiling, with a small loudspeaker attached to it. The sound of rain can be heard through the loudspeaker. The umbrella acts as a parabolic reflector that reflects the sounds directly down. The sound is only heard when a PIR motion sensor detects a potential listener below the umbrella. The sound is produced using an Arduino microcomputer and an included SD memory card, plus a small loudspeaker. The umbrella is made of transparent plastic, with diameter ca. 70 cm.

 

KARI HAUTANEN: MIRROR

A board, or mirror, in which the sound that is heard transforms according to the general colouring of clothing of an approaching person. The board is located on the wall, and a viewer is able to see his or her own reflection. The camera lens monitors an approaching viewer and draws its own conclusions about the colours and the matching sounds. The computer and other electronics needed to produce the sound are latent. Colour analysis is carried out using RGB and Luminance sensors. The sound is produced using an Arduino microcomputer and an included SD memory card. Size of the artwork is 28 x 28 cm, with depth ca. 7 cm.

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PEKKA KUMPULAINEN: BOUNDARY

This artwork deals with its own space. The space of the artwork is technically bounded using a booth resembling a polling booth, with handsets and a picture inside.

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HEIDI KENTTÄLÄ: MASS TOURISM

Mass Tourism is an acoustic tour to the core of Rovaniemi Christmas Tourism. Rovaniemi and Lapland are described as magical and mythical, the home of exotic Santa Claus, where the number of reindeer exceeds the number of people. Tourists are set to enjoy reindeer rides, huskies, snowmobiles, and cross the Arctic Circle. By documenting the Rovaniemi Christmas season, I wonder how the clichés related to Christmas Tourism do sound – or not. Welcome to the journey!

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ROOPE MÄENPÄÄ: SARABANDE

Pastiche of J.S. Bach´s (1685–1750) G-major solo cello series, part Sarabande 2018

In the metadata of music, a lot is talked about the similarities of cello sound and human voice. It is believed that people like any sound that matches their own communication style. The form of Bach’s dances is plaited into its simplest shape, which puts the instrument, its sound and the musician’s sensitivity on a pedestal. Can musical communication understood as a flowing? Audio – 3′

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MARKKU RIIPI: FINLAND 100

Finland 100 deals with 100 years of significant events in Finnish history from an author’s point of view. Those events – both happy and sad – that have been fixed in the depths of memories of authors as very important events. Duration ca. 27 min.

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JARI RINNE: SNOWBALL SOUNDS

Snowball Sounds is driven by speech and the sounds of situations. The sounds of the artwork have been collected from What’s up voice messages and vocal reports sent by young people, as well as from trips to Serbia, China, Russia and Utsjoki.

Speech is the cleanest subjectivity, the formation of identities and the positioning of self into a position. Sound produces and limits space which as a speech and act produces a social identity that is constantly changing. Alternative identities, consisting of self and other dialogic categorisation skills, as well as identification, are built for other people and the world in everyday speech. In the blizzard of speaking, self is a product of socialisation and my own subjectivity snowballs among others. The artwork deals with the identity of individuals as possible worlds, whose various facets are brought forth by the thoughts seeking to shape their piecemeal monologues. Bladdery conventions governing in a temporarily seeming society bring forth identity crystals approved by the community, and in their snowdrifts we build our own snowflakes for speeches. The sound compilation reflects on Gareth Dylan Smith’s “Snowball Self”, a conceptual notion that describes the construction of identity from multiple meta-identities and contextual identities.

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HEIKKI TIMONEN: SOLO FOR BALALAIKA – THE POLITICAL ACT

Solo for Balalaika – The Political Act – in my performance artwork, I express my political opinion on current international politics in the spirit of Fluxus art trend. This artwork is based on the famous international conflicts that we have regretfully had to follow in recent years. Video duration: 1 min 10 sec.

LIVE: Vongoiva

Vongoiva

‘The Web of Time’ / Ajan verkko, Album Release Event!

Audiovisual show by musician Heikki Lindgren and artist Ville Westerlund

Tuesday 23.1.2018
18.30 – 20:30 (Showtime 19:00)
Voluntary 5 euro entry fee

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VONGOIVA

Vongoiva is an audiovisual collaboration by Heikki Lindgren and Ville Westerlund. At Akusmata they’ll create a performance following the themes of the new release, “The Web of Time”.

“The Web of Time” describes the concept of time acquired by our own experiences, how it flows inexorably onwards. Centuries change like the sparse strokes of a clock: Stone Age, Bronze Age, Iron Age, the Middle Ages… Time before the human race and long after its end. Time when mankind learnt to enjoy beauty and began to create art.

We are accustomed to viewing the whole formation of our existence as past eras, with the present flowing into the past like a vast waterfall, carrying all the memories of humankind.

As a reminder of the very first moment of time, there is the constant hum of cosmic background radiation: a message from the very first oscillation, the moment when all matter was compressed into a single point. The moment when we all were one.

The composition concretizes time by way of image and sound. Depending on the position and velocity of the observer, sound condenses or stretches according to the Doppler effect. Redshift effect causes the same to happen to light. According to the relativistic Doppler-effect, the same analogy can be applied to the time itself when approaching the speed of light.

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Vongoiva on Heikki Lindgrenin ja Ville Westerlundin audiovisuaalinen kollaboraatio. Akusmatassa Vongoiva tekee esityksen kulkien uuden Ajan Verkko -julkaisun teemoissa.

Ajan verkko kuvaa oman kokemuksemme kautta saavutettua käsitystämme ajasta. Kuinka se kuluu eteenpäin vääjäämättömästi. Vuosisadat vaihtuvat kuin harvat kellonlyönnit. Kivikausi, pronssikausi, rautakausi, keskiaika…. Aika ennen ihmiskuntaa ja kauan sen jälkeen. Aika jolloin ihminen oppi nauttimaan kauneudesta ja alkoi kehittämään taiteita.

Olemme tottuneet tarkkailemaan koko olemassaolomme rakentumista menneinä kausina, nykyhetken vaipuessa tauotta osaksi historiaa kuin valtava putous, vieden tasapuolisesti koko ihmiskunnan muistot nykyhetkestä menneisyyteen.

Aivan aikojen alusta muistuttaa kaikkialla läsnä oleva kosmoksen taustakohina, joka on kuin meitä varten talletettu viesti ajan ensimmäisestä hetkestä. Siitä värähdyksestä, jolloin maailmankaikkeuden materia oli tiivistynyt yhteen pisteeseen. Hetkestä jolloin me kaikki olimme yhtä.

Teos konkretisoi äänen ja kuvan avulla aikaa, kuten tarkkailijan paikasta ja nopeudesta riippuen sama ääni joko tiivistyy tai venyy Doppler-ilmiön mukaisesti. Samalla tavalla käy valolle punasiirtymässä. Ja samaa analogiaa voi soveltaa myös ajalle relativistisen Doppler-siirtymän mukaan kun lähestytään valon nopeutta.

https://vongoiva.bandcamp.com/album/ajan-verkko

LIVE: Superalma Project (BRA) & Captain Heroin

SUPERALMA PROJECT (BRA)
CAPTAIN HEROIN


Wednesday 17.1.2018
18.30 – 22:00 (Showtime 19:00)
Voluntary 5 euro entry fee

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Superalma Project (BRA)

Superalma Project was founded in 2014 by the Brazilian sound designer, music researcher and producer Igor Almeida.
The project aims to present a sound experience that unfolds through the mixing of a wide musical spectrum, bringing influences like dark ambient, drone, glitch, idm, noise and power electronics.

On January, 17th Akusmata Soundgallery presents a concert of Superalma Project, which is playing its 6th and 7th albums: “Cura circum animum mei intorquet ut in sella mei sedeo” and “Non – Genesis”, among new stuff!

https://superalma.bandcamp.com/
https://facebook.com/superalmaproject

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Captain Heroin

Helsinki based Experimental Ambient sound artist Fredrik Willberg brings forth conceptual and cinematic sounds inspired by desolation under the moniker Captain Heroin.
For the moment consumed by scavenging archived recordings he also does rare live events as will be witnessed at Akusmata Soundgallery 17th of January 2018.

https://www.facebook.com/captainheroin
https://captainheroin.bandcamp.com/

Lauri Luhta: Architecture of Right

 Lauri Luhta
Architecture of Right

16 November – 3 December 2017
Open Thursday – Sunday  2-6 pm
Opening: Wed 15 November 6-8 pm


Opening performance

At the opening of Lauri Luhta’s sound art exhibition Architecture of Right at Akusmata, Wednesday 15 November, a soundtrack to Jenni Luhta’s video Häivähdys parempaa maailmaa (“Glimpse of a Better World“) will be produced live. A work of video and environmental art carried by text, Häivähdys parempaa maailmaa was filmed in the same surroundings of Pihlajamäki, Helsinki, that the field recordings for Lauri’s Architecture of Right sound installation took place during this year. Jenni’s video was originally finished for Pihlajamäki’s Night of the Arts in August, 2009. The work was premiered at the local bar Ralli and later shown at Orion cinema in Spring, 2010 – without a soundtrack, which it has lacked for eight years.

Video is screened at 7:00 pm. Sound is mixed by Lauri.

Refreshments are provided by Jenni. Welcome!


Architecture of Right

Lauri Luhta’s sound art installation Architecture of Right is based on field recordings made in Pihlajamäki, Helsinki, during different seasons of the year 2017. Out of the material thus assembled, Luhta has crafted a circular, spatial-temporal composition, which one can go to.
A suburb erected in the the 1960s, Pihlajamäki is visually recognisable by its landforms, its buildings and the plan of its architecture. Pihlajamäki is carved in terrain risen from the primordial sea as a home for the people and as an image of the geometric and the organic, the rational and the expressive. In Architecture of Right, one observes what kind of aural living environment the walls and hollows of the area create and what the firmament of the sky above it sounds like.
In Architecture of Right, one is moving on the Right-Hand Path, the clear and plain road of right and truth that is narrow yet open to everyone. In the work, one steps in and stands still in the soundscape that always lies in the background of the existence of an inhabitant of Pihlajamäki, amidst the world, at the world’s centre. A world of sound with its different elements and little details, with its sounds of nature, men and machines, its children, birds and airplanes, is always waiting for the one who stops and settles down on land. When that depth is reached, its basis is mined for nourishment and understanding.
Architecture of Right is a work of the author for the neighbourhood that has become his new home region, a homage to its planners, builders and dwellers. The exhibition is also dedicated to the Republic of Finland, which is celebrating its 100th anniversary and whose bright noontime thinking Pihlajamäki represents.

Lauri Luhta (b. 1980, Vaasa) is a Helsinki-based sound, video, media and performance artist, organiser of art festivals and cultural events, document archivist, theologian, custodian of being.
Lauri Luhta’s Youtube channel:

Akusmata artists on YLE TV and Radio Broadcasts

Akusmata artists on YLE TV and Radio Broadcasts

Saturday 21.9.2017
YLE Radio1 News 17:00
YLE TV1 News 20:30
YLE News Article by Jussi Mankkinen


Finnish Broadcasting Company YLE visited at Akusmata Sound Festival during September 1st – 3rd 2017, recorded live performances and interviewed the performing artists. On Saturday, September 21st YLE broadcasted the interviews on YLE TV1 main evening News and earlier in the evening on YLE Radio1 News. A longer article was also published during the same day at YLE’s website. Included was also clips and interviews from Lovi-klubi / Lavaklubi event at the Finnish National Theatre.



‘New notes of Finnish experimental music. Many musicians are currently building their own instruments, and with traditional instruments they make bold experiments.’ /
   ‘Kokeellisen kotimaisen musiikin uusia nuotteja. Monet muusikot rakentavat tällä hetkellä soittimiaan itse ja perinteisilläkin soittimilla tehdään rohkeita kokeiluja.’
Sat 21.10.2017, klo 17.00
https://areena.yle.fi/1-4229791
Petteri Mäkiniemi, Tottumiskysymys & Ville Olaskari, Jarno Tikka – Suvi Linnovaara duo, Esa Ruoho, Juha-Matti Rautiainen.
‘Experimental Music Produces Unique Sounds’ /
‘Kokeellinen musiikki tuottaa ainutlaatuisia ääniä’

Sat 21.10.2017, klo 20.30
https://areena.yle.fi/1-3825304

Petteri Mäkiniemi, Tottumiskysymys & Ville Olaskari, Jarno Tikka – Suvi Linnovaara duo, Esa Ruoho, Juha-Matti Rautiainen.


Article

‘What a strange thing this is Ginette – in Finnish experimental music, original instruments are invented and musicians are happy in the margin’ /

  Mikä ihmeen Ginette – kotimaisessa kokeellisessa musiikissa keksitään omaperäisiä soittimia ja ollaan tyytyväisinä marginaalissa’
Sat 21.10.2017
https://yle.fi/uutiset/3-9892678
Petteri Mäkiniemi, Tottumiskysymys & Ville Olaskari, Jarno Tikka – Suvi Linnovaara duo, Desert M, Esa Ruoho, Juha-Matti Rautiainen.

Akusmata Sound Festival 2017

Akusmata Sound Festival 2017
1.9. – 3.9.2017

LIVE

WEDNESDAY 30.8.  |  18:00 – 22:00  |  Akusmata
Pre-Festival Event: City Escapes (EST, FIN)

 

FRIDAY 1.9.  |  19:00 – 22:00 Akusmata

Biblioteq Mdulair (SUI, FRA) & Synkie (SUI): Emma Souharce, Daniel Maszkowicz, Max Egger
dno< sound theater
(AUS, RUS): Denis Sorokin, Sergei Tumanov

 

SATURDAY 2.9.  |  19:00 – 22:00 |  Akusmata
Peak to Valley Ratio (DE): Adda Schade, David Krützkamp
Desert M (FIN): Valtteri Hyvärinen
Tottumiskysymys
(FIN): Olli Haveri, Jukka Laine, Ville Olaskari

 

SUNDAY 3.9.  |  18:00 – 22:00  |  Akusmata
Elías Merino (ESP)
Petteri Mäkiniemi (FIN)
Jarno Tikka & Suvi Linnovaara (FIN)
Housefire (USA):  Luciann Waldrup

20:00 Outdoor audiovisual concert | Tukholma park
City Mirage (SWE, FIN): Nina-Maria Oförsagd, PerViktor Hjalmarsson, Petri Kuljuntausta, Daniel Nyman, Jarno Tikka & Suvi Linnovaara

 

FULL PROGRAM (pdf) 

City Escapes

City Escapes (EST, FIN)

Thursday 24.8.2017
18.00 – 22:00

Installation opens at 18:00
Live concert starts at 20:30

Taiteiden yö / Night of the Arts Event


City Escapes:

Vesa Kartesalo (FIN), synths, keys
Evelin Kask (EST), visuals, video
Annika Laaksonen (FIN), voice, electronics
Tuomo Noppari (FIN), sounds, electronics

 

City Escapes is a cross-disciplinary art work between three musicians and one visual artist. In this site-specific work, sound and visuals cross and merge a constant dialogue. City Escapes consists of half-improvised electronic sounds and poetry singing, physical installation and video work. It focuses on the fragmentation of our time: we exist in one physical place, yet we exceed it, functioning simultaneously in-between parallel mental spaces, spaces of otherness.

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Vesa Kartesalo is an electronic music producer. He has deepened his understanding of electronic sound by designing and assembling parts of his modular system himself. Currently his work relies heavily on unconventional melodies, harmonies and rhythms, remaining rooted in the mainstream electonic and pop music.

Evelin Kask is a visual artist working mainly with the concepts of time and entropy, and the cyclic process of creation, destruction and recreation. She has exhibited in Finland and abroad, and works often across the field in collaboration with other artists.

Annika Laaksonen has a long history of singing different genres of music. Last few years she has been concentrating on electronic material including producing it on her own under the name of Blankau. On this night, she will use her ethereal yet soulful voice through a looping station.

Tuomo Noppari is a multi-instrumentalist with a taste for wide range of music. He’s known from the bands such as ‘N Stuff, Klasu and Koria Kitten Riot. He has also composed music for theater plays.

City Escapes on kolmen muusikon ja yhden visuaalisen taiteilijan välinen vuorovaikutteinen, puoli-improvisoitu tilateos, jossa ääni ja visuaalisuus lomittuvat toisiinsa toisiaan täydentäen, kommentoiden ja kumoten. City Escapes rakentuu tilaan levittäytyvästä installaatioteoksesta, puoli-improvisoidusta ääniteoksesta ja videoteoksesta. Ääniteoksessa yhdistyvät elektroniset biitit, kuplivat synamatot sekä runomuotoinen laulu.

City Escapes pohtii ajallemme tyypillistä tilan fragmentoitumista ja pirstaleisuutta. Olemme fyysisesti yhdessä tilassa ja silti muualla, virittäydymme samanaikaisissa rinnakkaisissa tiloissa, liikumme niiden välillä tietoisesti ja tiedostamatta.

LIVE: City Mirage video / concert

Displaying

City Mirage

Video Screening with live music
Friday 19.5.2017
Starting time: 19:00
Voluntary 5 euro entry fee
Live Stream here or here.

Nina-Maria Oförsagd, Video (FIN)
PerViktor Hjalmarsson, Piano, Performance (SWE)
Petri Kuljuntausta, Sounds, Guitar (FIN)
Ilkka Hanski, Double-Bass (FIN)
Daniel Nyman, Slam Poetry, Performance, Percussion (FIN)

City Mirage

Video: (16:9, HD , 2014-2017 ) directed by Nina Oförsagd

Music: collective live improvisation w/ performative elements

In City Mirage, different cities from Europe and Far East are brought together through several video sequences.

In City Mirage, it is question about trying to understand how we comprehend our surrounding by observing movement of the urban habitants and studying historical layers of the spaces.

Sounds shape our understanding of a place and open us different dimensions of time and space – leading and shaping our interpretation.

The video is a visual score for live music improvisation. It gives impulses for the performers and form for the interpretation. The order and number of the video sequences is different in every performance. Thus every performance of the City Mirage will be different. City Mirage is an ongoing project and after Akusmata the project will head to Estonia, Sweden and Taiwan.

More information here.

Thank you Grönqvistska stiftelsen, Svenska
kulturfonden, and Stina Krooks Stiftelse for art prize.

LIVE: Francesco Cavaliere (ITA), Nuslux, Half a Map

FRANCESCO CAVALIERE (ITA)
NUSLUX
HALF A MAP

Produced w/ Mental Alaska


Tuesday 25.4.2017, klo 18-21
Akusmata, Tukholmankatu 7 K, Hki
Tickets: 5e

More: Facebook


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Francesco Cavaliere (ITA)

Francesco Cavalieren ainutlaatuinen tyyli on vuosien keikkailun ja studiotyöskentelyn tulos. Hän on koonnut uskomattoman laajan arkiston itsetehtyjä ääniefektejä ja eksoottisia rytmejä, joita hän yhdistelee omaan kertojanääneensä.

Cavaliere ammentaa vaikutteensa mm. äänirunoudesta ja surrealismista. Hänen viimeisimmästä luomuksestaan “Gancio Cielo” on toistaiseksi ilmestynyt kaksi osaa. Tässä maailmassa alkemia ja scifi kohtaavat, kun absurdi ja intensiivinen tarinankerronta kulkee rinta rinnan vastustamattomasti muljahtelevien biittien kanssa. Cavaliere on kehitellyt universuminsa asukkaiksi hillittömän olentokavalkadin. Cavalieren esiintyessä kielirajat murtuvat musiikin ja tarinankerronnan sulautuessa toisiinsa. Kokonaisuus noudattaa kuitenkin aina omaa erikoista logiikkaansa ja kuulija tempautuu mukaan ihmeellisten kertomusten käänteisiin.

Soundcloud


NUSLUX

Nuslux eli Roope Eronen kuvailee musiikkiaan seuraavasti:

“Keikoillani teen musiikkia täysin improvisoiden. Pidän esiintymiseni itselleni mielenkiintoisina tätä kautta. Samalla improvisaatio säästää aikaa ja vaivaa keikan valmisteluista. Toisaalta se on henkisesti raskaampaa kuin hyvin valmisteltu keikka. Konserteissani pyrin luomaan jonkun hallitsemattoman elementin, kuten aikoinaan oikosulkusyntetisaattorin, tai nykyään epäsynkassa olevat luupit. Pyrin reagoimaan siihen ja tekemään siitä ja soitostani mahdollisimman ihmeellistä musiikkia. Soittiminani käytän yleensä paria yksinkertaista syntetisaattoria sekä joitakin efektejä. Joskus käytän myös kasettisoittimia ynnä muuta mitä käsiini sattuu.”

Soundcloud


HALF A MAP

Half a Map eli äänisuunnittelija Jukka Vallisto tekee musiikkia, joka on liian hyvää jäädäkseen maan alle. Genrerajoja kumartamatta hän yhdistää eri äänielementtejä, taputuksia, jousia, kitarariffejä, puhepätkiä ja mustaa laulua. Lopputulos ei ole leftfieldiä, downtempoa tai IDM:ää, vaan häntä itseään. Vallisto on asunut Lontoossa ja hänestä on sanottu: “Jukka Vallisto on suomalaisen elektronisen musiikin parhaiten varjeltuja salaisuuksia”.