>> SAKSET SEIS! -kampanjan tiedote <<

Kulttuurin rahoitukseen esitetään nyt ennennäkemättömän suuria leikkauksia, jotka uhkaavat murentaa koko kulttuurielämän perustan. Sakset seis! on tekijöiden ja yleisön yhteinen hätähuuto taiteen ja kulttuurin puolesta. Se koostuu Suuresta kulttuuriadressista 1.10.–4.12.2024 sekä mielenilmauksesta 5.12., jonka yhteydessä adressi allekirjoituksineen luovutetaan maan päättäjille.

Suuren kulttuuriadressin voi allekirjoittaa adressit.com -palvelussa 4.12. saakka (linkki lopussa). Suuri kulttuuriadressi luovutetaan päättäjille itsenäisyyspäivän aattona 5.12. Helsingissä Kansalaistorilla. Luovutustilaisuus on julkinen mielenilmaus, johon kootaan laaja joukko osallistujia.

Taide ja kulttuuri kuuluvat kansalaisten perusoikeuksiin, eikä niistä voi leikata ilman radikaaleja seurauksia. Kulttuurilla ja taiteella on ollut keskeinen rooli kansakunnan syntymisessä ja sen yhdistäjänä. Taiteen ja kulttuurin merkitys korostuu erityisesti vaikeina aikoina.

Hallituksen esittämät lyhytnäköiset leikkaukset vaarantavat koko kulttuurialan toiminnan. Taustalla on vuosia jatkuneet kulttuurileikkaukset joiden jatkoksi tulevat uudet leikkaukset hajottavat paikallisen ja valtakunnallisen perustan tuottaa kulttuuria ja taidetta. Poikki taiteenkentän taidelaitokset ja ryhmittymät ovat joutuneet keskelle muutosneuvotteluja, kaupunkien ja kuntien kulttuurin harrastustoimintaa karsitaan, kollektiivien ja ryhmien on lopetetava toiminta koska ilman tukea on mahdoton jatkaa.

Kulttuurin ja taiteen yleisö, tekijät ja organisaatiot vaativat nyt yhdessä Suurella kulttuuriadressilla leikkauksien perumista. Adressin allekirjoittamiseen kehotetaan kaikkia kulttuurin ystäviä. Yhteinen huoli yhdistää suomalaiset kulttuurialan toimijat laajaksi rintamaksi.

Adressi on saatavilla suomeksi, ruotsiksi, englanniksi ja pohjoissaameksi. Sosiaalisessa mediassa adressia jaetaan tunnistein #SaksetSeis ja #SuuriKulttuuriadressi. Sakset seis -kampanjan järjestävät Forum Artis ja Mitta on täysi -työryhmä.

Allekirjoita adressi:

https://www.adressit.com/sakset_seis

Akusmata Polyphonic 2024

Thu-Fri April 4-5, 18-21 -free entry-

Vuotalo Cultural Centre, Mosaiikkitori 2, Helsinki

-Performers-
Thursday, April 4
•CRACKLEBOX ORCHESTRA (Antti Auvinen, Petri Kuljuntausta, Juhani Liimatainen, and Juhani Nuorvala)
•JUKKA KÄÄRIÄINEN
•TMS (Tina M.K. Madsen, Malte Steiner)

Friday, April 5
•LAILA SKOVMAND & CARSTEN KÆR
•JENS L. THOMSEN
•PETRI KULJUNTAUSTA
•IMPROV ORCHESTRA

•••••••••••••••••••••••••••••••••••••••••••

AKUSMATA POLYPHONIC 2024 is an intensive sound art and electronic music event at Vuotalo Cultural Centre in Helsinki. Invited musicians, composers and sound artists are offering for the audience a wide spectrum of new sonic expression from the fields of experimental & electronic music, sound art, improvisation and ambient. The program includes modular sound systems, do-it-yourself musical instruments, and improvised music with attitude. The event features performers from the Faroe Islands, Denmark, Germany and Finland.

•••••••••••••••••••••••••••••••••••••••••••

TMS
TMS is an experimental electro-acoustic noise-performance project by the artists Malte Steiner and Tina Mariane Krogh Madsen. The format of the TMS project is improvisational performances built out of Steiner and Madsen’s sonic interactions, where noise-scapes and complex structures emerge. The tools used in each TMS work and performance can depart in custom software, synths and effect pedals, or self-built controllers, where inputs are analogue as well as digital; modulated, transformed, and distorted. The physical interactions with materials have since the beginning been a specific focus point for TMS, and to create a more performative and visual sound experience.
   At the Akusmata Polyphonic Festival, TMS will debut their new piece “Occurrences”. They have created a cybernetic system which registers and processes their sonic inputs coming from metal percussion and tactile resonance via piezo-microphones. The computer responds to their playing and calculates control data, not only for internal sound synthesis but also for an external modular synthesizer and real-time generated visuals.
Website: https://www.block4.com/musicprojects/TMS/index.php
•••••••••••••••••••••••••••••••••••••••••••

CRACKLEBOX ORCHESTRA
Cracklebox (or kraakdoos) is a custom-made, a touch and pressure sensitive device that squeeks and makes incredible noises. Cracklebox is based on a single operational amplifier, one of the earliest models to be produced. The history of Cracklebox starts from the late-1960s, when Michel Waisvisz designed and built the very first Crackle circuit together with Geert Hamelberg. Later the Crackle boxes were produced at STEIM center for research and development of new musical instruments in the electronic performing arts, located in Amsterdam, Netherlands. STEIM closed the doors in 2000 and the production of the original Crackleboxes ended.
   The Cracklebox Orchestra is a group of composers and sound artists who continue to explore the instrument’s potential as a group and come together to perform with the Crackleboxes. The concert features compositions by cracklebox musicians Antti Auvinen, Petri Kuljuntausta, Juhani Liimatainen, and Juhani Nuorvala.
•••••••••••••••••••••••••••••••••••••••••••

JENS L. THOMSEN
Jens L. Thomsen is a composer and sound artist from the Faroe Islands. He has a BA in Music Technology from University of West London as well as an MSc in Acoustics from London South Bank University. His work often explores the relationship between art and technology. Notable sound works include NORÐ which was commissioned by the Southbank Centre and exhibited at Royal Festival Hall in London, Føroyar 5.2 which with the use of seismic technology allowed him to play on mountains as if they were instruments, and the Æðr soundscape which is transmitted in a Faroese subsea tunnel using FM signals.
   His main artistic outlet is through the project ORKA which he started 10 years ago by building homemade instruments out of found objects on a farm on the Faroe Islands. ORKA has twice been nominated for the Nordic Council Music Award. Jens spends a lot of time producing in the studio and is credited on close to a hundred releases. At the moment he tours as part of Yann Tiersen’s live band.
On February 2, 2024 Jens released the groundbreaking EP ÆÐR via Kervið. ÆÐR (meaning ‘vein’ in English) is a uniquely atmospheric two-track EP, exploring modernity and post-war freedom through a Faroese lens. Commissioned for Eysturoyartunnil, a 12km subsea tunnel – the largest of its kind – in Jens’ native Faroe Islands, a structural marvel with striking art that has both a voice and aesthetic identity of its own. The EP currently lives as a live audio installation, broadcast around the clock on FM radio for anyone travelling through the tunnel. This is the first time a soundscape has been permanently installed and broadcast via this kind of technical solution allowing the sound to become part of the experience of the space itself. At the Akusmata Polyphonic concert, Jens will be performing the piece on stage.
•••••••••••••••••••••••••••••••••••••••••••

Image by Juho Liukkonen

PETRI KULJUNTAUSTA
Petri Kuljuntausta compose electronic music, improvises as a guitarist and with electronic instruments, plays with animals and birds, makes underwater performances and performs in different natural spaces with environmental sounds. He has a long career as an experimental electronic musician and sound artist.
Kuljuntausta is currently working on two new projects. He develops the technique of how to play with nature and animals, without disturbing their sound processes. He is currently composing a new opera and writing a book about the subject of the opera. The Akusmata Polyphonic concert will feature his new works and improvisations.
•••••••••••••••••••••••••••••••••••••••••••

LAILA SKOVMAND & CARSTEN KÆR DUO
Laila Skovmand and Carsten Kær started working together in 1996 and since then their paths have met in a variety of setups. Latest was in the 28-hour “Red List Concert” in September 2023 in Aarhus, where they were on stage for 28 hours, challenging perception of time and setting focus on endangered species on the IUCN Red List of Threatened Species. Akusmata Polyphonic features free improvisations from two collaborators who have been making music together for a long time. Music is created at the moment of performance. The audience witnesses how the musicians find open possibilities in the space between the piano and the voice.
      Laila Skovmand, voice
The backbone of Laila Skovmand’s artistic work is a boundless curiosity and open-mindedness giving impetus for vocal and compositional inventions. As a singer and composer she deliberately places herself in the gap between genres and media. From here she explores the liminal states of human experience in order to question and challenge assumptions and narrowed perspectives. Laila Skovmand is artistic director of Between Music and is the creator of the underwater concert AquaSonic where she has invented a new underwater vocal technique. Laila graduated as a singer from the Royal Academy of Music Denmark and from Roy Hart International Voice center in France. She also holds an Advanced Postgraduate Soloist Diploma from the Royal Academy of Music as performative composer.
      Carsten Kær, grand piano
Carsten Kær is an award-winning Danish jazz pianist and composer. First and foremost he is a curious improviser, influenced by contemporary classical music. He is also deeply connected to the cornucopia of World Music, Cuban and Brazilian music, and Indian konnakol. Carsten is “a lyrical dreamer who opens our inner landscapes with his surprising soundscapes and leads us by forgotten paths to an untouched place within ourselves.” He is initially self-taught, but graduated from RMB at the Royal Academy of Music in Århus in 1998 and has since been traveling the world, collaborating and recording with numerous well-known artist.
•••••••••••••••••••••••••••••••••••••••••••

Portrait by Kamilla Śladowska

JUKKA KÄÄRIÄINEN
Jukka Kääriäinen is a musician focused on experimental music. Depending on the situation, Jukka’s instruments of choice include an acoustic guitar with preparations or an electric guitar with a bag full of effects. Kääriäinen has performed in many European countries and at international festivals in the United Kingdom, Spain, and France. In addition to solo concerts, he regularly performs in bands and has collaborated with many leading European improvisers such as Teppo Hauta-Aho, Kalle Kalima, Harri Sjöström, Axel Dörner, Kriton Beyer, Rieko Okuda, Anil Eraslan, Mikko Innanen, and Joel Grip, premiering works by composers such as Riikka Talvitie, Sebastian Hilli, Sami Klemola, Clara de Asis, and Tytti Arola. At Akusmata Pollyphonic, Jukka will perform pieces for solo electric guitar.
•••••••••••••••••••••••••••••••••••••••••••

IMPROV ORCHESTRA
The two-day event ends with a joint improvisation performed by the musicians present. Acoustic and electronic instruments are heard on stage, sound and tone, acoustic vibration and electric signal, ambient and rhythm meet in the performance.
Whatever the musician’s instrument and sound source, the common denominator for performers is creating a meaningful performance by listening to others and reacting to their playing.
•••••••••••••••••••••••••••••••••••••••••••

Magnus Bugge
None

15. – 22.9.2023, Mon-Fri 14-18 (Sat-Sun 12-16)

The sound installation is part of Envelope – an immersive sound festival across the Nordic – Baltic region.

None: A machine learning based approach to deep listening, atmosphere and fidelity.

In ‘None’ I became occupied with the vast worlds of sound in latent and liminal spaces that would normally be considered ‘silent’. I recorded such sounds: room tones, barely audible field recordings, tape hiss, gear hum, and processed them in various ways to listen closer. I applied machine learning and trained a model on this desolate sound world. The sampleRNN model is ‘a novel model for unconditional audio generation based on generating one audio sample at a time’. One audio sample is basically the elementary particle in digital audio. It is a single point that is meaningless without the context of what becomes before and after, in itself it has no direction, and crucially, no sound. However, knowing the trajectory and velocity you may predict where it will travel based on an idea of what music is. In my case, the intelligence have never heard music before, only silence, and thus predicts based on this.

Created by Magnus Bugge
Machine learning done at Bergen Centre for Electronic Arts
Handbells by Laura-Marie Rueslåtten
Mastered by Helge Sten at Audio Virus LAB
Visual artwork by Tord K Øverland

Sound installation “None” BY Magnus Bugge at Akusmata sound art gallery in Helsinki is part of Envelope – an immersive sound festival happening from September 09 till October 23, 2023 as an event series across the Nordic – Baltic region in person and online. Festival hosts spatial music concerts, sound art installations, seminars and workshops by Nordic-Baltic artists. It is a creative collaboration between organizations and artists from Finland, Norway, Denmark, Sweden, Latvia, Estonia and Lithuania to explore the future of audio technologies. Festival is supported by State Culture Capital Foundation (SCCF), Nordic Culture Fund, Lithuanian Council For Culture among others.
https://www.envelopefestival.com

Magnus Bugge is a composer and artist working with sound art, electroacoustic music and related visual arts. He has an exploratory practice where works emerge from studies of concrete and abstract subjects, often inspired from science, technology and physics, in addition to purely auditory phenomena. With experience from stage art, concert, film, installation and fixed media releases, the conclusion is that media is not of importance, as ideas and works will develop in their own way according to their will, and the artist should follow. The tools, primarily synthesis, field recordings, programming, machine learning and tape music techniques are equally not important, but mere means for executing work, experiencing and observing. In addition to his solo practice, Magnus is part of the stage art collective Verdensteatret.

LINKS
https://www.magnusbugge.com/
https://vimeo.com/user7385678
https://magnusbugge.bandcamp.com/

Johanna Sulalampi
Kuroma – keraamisia ääniveistoksia

Ma–Pe  17.–21.4.2023, klo 14-18.

AZIMUTH
Sarah Badr

Sat-Sat  10. – 17.9.2022

Opening times: Sat-Sun 12-16, Mon-Fri 14-18.

“Azimuth is an immersive biomorphic model of the entangled orders of simulation. It is a
reflection of a basic natural reality while masking basic reality — the idea of nature.”

The exhibition is part of the Envelope Festival for Immersive Sound, 10.9. – 29.10.2022.

In Azimuth, audiovisual artist Sarah Badr channels a tension between organic and synthetic forms, digitally rendering pulsating alien objects and shimmering surfaces that change and transform in a responsive, symbiotic relationship with the tactile sounds she corrals into the intricate texture of her compositions.

   Resolutely synaesthetic, Azimuth oscillates between the recognizable and the impossible, a dichotomy that is suggested in the work’s title. An azimuth, in geometry, is an angular measurement in a spherical coordinate system commonly referenced in the field of immersive sound.

   When applied in astrology and used as a celestial coordinate, an azimuth is the horizontal direction of a star, or other astronomical object. In one sense the title, and the work, is functional, referring to a unit of measurement. But when applied to the world around us, it becomes ontological — a marker for locating an object in physical, or artificial, space.

Sarah Badr is a British-Egyptian artist living in Riga. Her practice focuses on world creation, complex natural phenomena, and algorithmic media. Building procedural systems for simulation and spatialisation in graphics and sound allows her to explore the association between form and place in new digital spaces. Her work involves various manifestations of the digital experience: video, 3D sculpture and animation, augmented photography, audiovisual performance, installation, and immersive sound for physical and virtual environments. A classically trained multi-instrumentalist and composer, she produces solo experimental works under the project name FRKTL. Website: sarahbadr.com

The Azimuth exhibition is part of the Envelope Festival for Immersive Sound. A series of events will take place across the Nordic-Baltic region, in person and online, from September 10th until October 29th. The festival hosts spatial music concerts, sound art installations, seminars, and workshops by Nordic-Baltic artists. Exploring the future of audio technologies, Envelope is a creative collaboration between artists and organisations from Finland, Norway, Denmark, Latvia, Estonia, and Lithuania. Website: envelopefestival.com (opening soon)

Azimuth was shown as part of ‘Listening To The Anthropocene’, a group show at Coventry
Cathedral, which was part of the 2021 Coventry Biennial, in Herbert Art Gallery & Museum, UK.

Supported by Nordisk Kulturfond, State Culture Capital Foundation (SCCF) and others.

Ville Aalto

Avian Electronics | Metamorphosis

-sound installation-

March 2-6, 2020, at 14 – 18.